Visual Culture in Shanghai, 1850s-1930s is a study of formal and informal meanings of Haipai ("Shanghai School" or "Shanghai Style"), as seen through the paintings of the Shanghai school as well as other media of visual representation. The book provides us a point of entry into the nexus of relationships that structured the encounter between China and the West as experienced by...(展开全部)

Visual Culture in Shanghai, 1850s-1930s is a study of formal and informal meanings of Haipai ("Shanghai School" or "Shanghai Style"), as seen through the paintings of the Shanghai school as well as other media of visual representation. The book provides us a point of entry into the nexus of relationships that structured the encounter between China and the West as experienced by...(展开全部)

【作者简介】 阿兰•雅尼克（Allan Janik，1941— ）生于美国马萨诸塞州奇科皮，先后毕业于圣安塞姆学院、维拉诺瓦大学和布兰迪斯大学。他曾在喇沙书院和韦尔斯利学院教授哲学和思想史，现为奥地利因斯布鲁克大学布伦纳档案研究委员会的一员。另著有《提示汇编：对维特根斯坦哲学概念起源的研究》（Assembling Reminders: Studies in the Genesis of Wittgenstein's Concept of Philosophy）、《隐喻的运用和滥用》（The Use and Abuse of Metaphor）、《哲学的风格、政治和未来》（Style, Politics and the Future of Philosophy）等。 ··· 斯蒂芬•图尔敏（Stephen Toulmin，1922—2009）英国哲学家...(展开全部)

【作者简介】 阿兰•雅尼克（Allan Janik，1941— ）生于美国马萨诸塞州奇科皮，先后毕业于圣安塞姆学院、维拉诺瓦大学和布兰迪斯大学。他曾在喇沙书院和韦尔斯利学院教授哲学和思想史，现为奥地利因斯布鲁克大学布伦纳档案研究委员会的一员。另著有《提示汇编：对维特根斯坦哲学概念起源的研究》（Assembling Reminders: Studies in the Genesis of Wittgenstein's Concept of Philosophy）、《隐喻的运用和滥用》（The Use and Abuse of Metaphor）、《哲学的风格、政治和未来》（Style, Politics and the Future of Philosophy）等。 ··· 斯蒂芬•图尔敏（Stephen Toulmin，1922—2009）英国哲学家...(展开全部)

Die Romanik als die erste ganz Europa umfassende Epoche mittelalterlicher Kunst manifestiert sich vor allem in der christlichen Baukunst. Mit eindrucksvollen Fotografien fängt dieser Band die besondere Stimmung ein, die von mittelalterlichen Kirchen und Klosteranlagen ausgeht. Im Anschluss an eine ausführliche Formenkunde veranschaulichen einzelne Länderstudien die Vielfalt der...(展开全部)

Few thinkers have addressed the political horrors and ethical complexities of the twentieth century with the insight and passionate intellectual integrity of Hannah Arendt. She was irresistible drawn to the activity of understanding, in an effort to endow historic, political, and cultural events with meaning. Essays in Understanding assembles many of Arendt’s writings from the ...(展开全部)

华纳的《德国建筑艺术在中国》可以说是真正以历史文献和现场调查为基础的“在青岛的德国建筑”研究的开端。华纳的研究在1993年完成。10多年中，华纳在德国的指导教师和青岛本地年轻的研究人员，陆续修订了华纳当年的一些错误，使得在青岛的德国建筑的基本面貌有了一个比较完成的呈现。华纳之后的研究成果，多是在青岛本地的媒介和出版物上发表的。

Beyond the Amur describes the distinctive frontier society that emerged in the Amur, a river region that shifted between Qing China and imperial Russia as the two empires competed for resources. Official histories depict the Amur as a distant battleground caught between rival empires. Zatsepine, by contrast, views it as a unified natural economy populated by Chinese, Russian, I...(展开全部)

Beyond the Amur describes the distinctive frontier society that emerged in the Amur, a river region that shifted between Qing China and imperial Russia as the two empires competed for resources. Official histories depict the Amur as a distant battleground caught between rival empires. Zatsepine, by contrast, views it as a unified natural economy populated by Chinese, Russian, I...(展开全部)